Black Snake Moan

MUST-SEE: You have go to see this movie! BSM is the story of a hurting man (Jackson) wanting to prove his worth and cure all women from their evil. God gives him this opportunity when Ray (Ricci) winds up near-dead outside his driveway. Upon realization that she is the town's sex-addict, he vows to cure her from his own living room. The story gets typical with the inevitable friendship that grows between the two, but the accompanying story lines make this film one worth seeing. The excitement of the plot extends beyond the two, into ta web of townspeople out to judge and spy. This film throws together religion, comedy, moral, and music to make a truly entertaining story of an aging man in need of worth and a maturing girl in need of a wake-up call. Back to the typical: They hint at saving one another, but the pull for your attention stems from the unlikely angles this writer takes on trust, love and vulnerability. I laughed out loud, grooved to the guitar blues, and even shed a tear for the genuine sentiment released. Overall, it's a sad story, but one that can empathize with emotions across the board. It'll inspire you to befriend even the most unlikely person and teach you to trust you heart in matters of the soul.

Interview

MUST-SEE: This latest Sienna Miller flick has definitely put her on my radar for good. With her successful performances in Stardust and Factory Girl and now Interview, she has proven herself (to me) a notable actress. Interview, Steve Buscemi's creation (wrote and directed by), revisits an oldie and makes it a modern day creepy and realistic illustration of the out-of-the-loop political reporter and hot new actress interview. The bottom line is that Miller's Katya, knocks him off his political high horse and making his condescending point of view null and void. At only 86 minutes, this short glimpse into one night of lust and secrets sprinkled with booze and lying delivers an immensely entertaining story of an unlikely interview. Buscemi plays with your mind, incessantly tricking you with who is the good guy, who is the poor guy, and who deserves your sympathy. The relationship that evolves out of the two's contact is mesmerizing, taking an unrealistic chance and creating a sugared nightmare. The film combines emotions of love, hate and loneliness into one giant ball of doubt, mistrust and hope. It's a myriad of possibilities that holds you until the end, I mean the very very end, in picking whose side you want to be on and if you should take a side at all.

Factory Girl

MUST-SEE: (Hickenlooper) Never before has over the top eye make-up, fake fur, and enormous dangling earrings made such an impression for a life that was lived too fast, but too short. The portrait of Edie Sedgewick as she evolved out of art school into a world controlled by Andy Warhol is the gut of Factory Girl. An adorable Sienna Miller superbly plays the waif Sedgewick capturing a rare and raw emotion amidst what appears a glamorous lifestyle. The film carries us well from her rebellion from art school, through her curious and innocent explorations of New York, all the way to her downfall; a naked and bruised body enclosing a tormented and aching soul. Miller does a fantastic job at conquering each characteristic of a true Edie. Her style and her accent truly reflects the trendsetter and outlandish persona Edie carried. As for the film, the casting is perfect, the depiction of The Factory was convincing, and the overall tone evoked a creepiness that made her destruction even more tragic. The script remains true to Edie's heart, borderline exploiting Warhol and gripping the audience in her favor. The credits run alongside an audio/visual montage of past friends and family speaking on the essence of Edie. All in all, the film was enlightening, saddening, and inspiring. If you can move your heart past the drugs and past the sadness, you will experience a phenomenal story of one of the greatest trendsetters and art icons of our recent history.

Away From Her

MUST-SEE: Away from Her is a beautiful story. Don't get me wrong, though, this film is tragically heartbreaking, but the story behind the heartbreak, or rather, about the heartbreak is so honestly told that one cannot help but be taken by its beauty. It's the story of a couple facing Alzheimer's. A husband's decision to admit his degenerative wife into a home for people with the disease becomes his fight to hold onto any part of her that might still recollect their history together. At first a bitter man, angry at having to watch his wife forget him and fall in love with another patient, Grant grows into a man who loves his wife so much he sacrifices his own happiness to bring her heart back. I won't ruin the ending, but as the film states of Alzheimer's, the memories come and go, one minute they are themselves, the next they don't know who you are. Grant struggles with his wife's coming and going, weighing his options for his own happiness ans sanity. A devoted husband to a phenomenal history of a marriage, Grant becomes a symbol of unconditional love in its purest form. It will break your heart slowly, but fully. It will remind you of life's unfair possibilities, and remind you that we are never promised tomorrow. See this film for an inspiration in love and self-discovery.

Rescue Dawn

WORTH IT: Before any comment on the film itself, I must say, what a phenomenal story. And, what a phenomenal survivor. For those that don't know, Rescue Dawn is the true story of pilot Deiter Dengler, whose plane crashes in the jungle of Laos during an air raid. He is captured by angry rebels and held prisoner indefinitely. The film depicts the story of a struggle to discover willpower, the struggle to remain sane in an impossible world, and the struggle to stay alive amidst trigger-happy and starving Cambodians. The film takes off on an odd tone, making Christian Bale's Dengler appear pompous, not taking his feat seriously and offended by the treatment of his captors. His attitude left strange and disconnected feelings from what could have been a heart-wrenching tale. Fortunately, as the plot treads, Werner Herzog brings the audience right into the heart and mind of his characters, revealing their fears and their abandoned hopes, as well as their protruding bones and rotting teeth. Alongside breathtaking scenery, he tags eating live snakes, pulling leeches off bare skin, and uncontrollable bowels, painting a picture of utter suffering. By the end, the awkward tone had evolved into a deep concern for the situation. His hopelessness and frustration are evident. Inspired by his determination and his strength of mind and body, I felt my heart feeling for the man. For me, it was a the story of a man, not a war, whose mind and spirit matures through a gut-splitting trauma, and who is taught to search for his deepest purpose and faith to carry the title and reputation of the United States of America through a dark and violent jungle.

Lady Chatterly: Slow to Grow

WORTH IT: I try and stick to the belief that going into a movie with any kind of expectation will result in nothing short of a disappointment. And for me, this is usually a problem, because I anticipate movies to the nth degree, building them into drastic hopes to be blown away by a new and creative narrative. Lady Chatterley was a film that I had built up for weeks. Going in, I knew little about it and simply expected to become that much more inspired to read D.H. Lawrence's risque novel. What I found inside that theatre was more so a challenge than an entertaining film: a challenge to delve into French-film symbolism and wait (patiently) for the heart of the film to evolve. What begins a 2.5 hour journey is an hour of shots urging us to become one with nature and understand Constance Chatterley is much more a part of a wild and untamed, yet delicate flower or bird. Very little dialogue and several monotonous almost-still frames had me shifting in my seat, and counting down the time. Fortunately, for my expectations, and for my review, the film picks up with the plot. As soon as Connie and the gamekeeper frolic for the first time, we are invited to watch and enjoy the most awkward, but emotionally frank, love story seen in film. This last hour and a half flew by, keeping me on my toes for something to go wrong, shocking me with new twists in character development, and keeping my heart content and empathizing for the delicate hearts at work on the secret affair. The most intimate scenes grow in honest and raw emotion, completely rocking your former boredom, and leave you questioning the innocence of your own heart. If you go into this movie expecting to be on the edge of your seat, you should have walked into something else, but if you give the slowness of Chatterley's opening a chance right off, you may find yourself swayed by the enjoyment of this quirky and heartfelt story, that I promise will leave you wishing for such an endeavor.

The Lake House

ALMOST: Before judging me for even seeing this movie, understand it was a TV showing when no better offers were on the table. Saying that, you can rest easy knowing that, inevitably, Keanu Reeves delivers a fascinatingly dry appearance as a static, mono-emotion, flat character in this Sandra Bullock collaboration. Not that Sandra herself takes on the best roles for her once fabulous reputation, but she at least pulls off her roles to the best of her acting ability, and actually can evoke more than one emotion per character, and does in fact make more than one face to show those particular emotions. As for the flick, an interesting story. It's basically a time warped love story, magically linking two lovers, two years apart, teaching their minds to time their meeting perfectly in the year 2008. Don't get excited though, because the story is as far as the intrigue gets. The plot is confusing, to say the least. And with Keanu remaining the same throughout every scene, one is prone to lose track of which year we're in and what events go with what year. Although the confusion is enough to piss off any viewer wanting to see past the love story, you will find yourself caught up wanting to see how it ends. You won't be able to let it rest, because above the narrative value, or the flabby love story, you will seek the answer, will they find each other? Ha ha! So, not that I recommend you watch it, as KR is so painful to tolerate, but if you too find yourself with no better option, it's quite twisted and does actually evoke a little curiosity that will drive you through that vegging TV time spot.

Invasion: of the Generic Gene

ALMOST: Ok, anyone that endures this film must be ready to accept frail-pale Nicole Kidmann as a female Die Hard-Bruce Willis. Making a funny face? Exactly. Sorry Nicole, but seeing your bony phalanges turn a steering wheel of an exploded, burning car into car after car during a deadly car race up the underground parking deck to a helicopter pad, only after being stabbed in the heart by her six-year-old son to save her from a deadly sleep. Agh! So, the film was at best, enjoyably ridiculous. Yes, the storyline and the action keeps you entertained and visually delighted. The absurdity was over-the-top and the performances were straight out of the most generic end-of-the-world action/horror/suspense flick. Don't expect a phenomenal blockbuster, or an updated take on The Bodysnatchers, think again, and save your money. If you're dying to see it, wait to pay the $3 rental, rather than the $8 theatre price. As I would understand, some people are going to see it no matter what, just be ready for an overwhelming let-down when the story winds up happily ever after, after a generic pitfall of a science fiction classic.

Stardust: Stellar Work

MUST SEE: Again, I find myself underestimating a film. What I thought would be a feminine fantasy lost for credibility was overturned into a fantastic and smart-wit film composed of phenomenal characters and intriguing plot. It has been a long time since such a successful movie was made. (Think Wizard of Oz meets Harry Potter). Combine light-hearted comedy with endearing characters and a quaint love story and you have Stardust, the best fantasy film since my pre-teen years. Bottom-line should be that this is just a solid film, a great story, and an entertaining two hours. It's the kind of story you never want to see end, the type of characters you feel like you know, and the genre of humor that keeps you chuckling long after the jokes been had. And don't think this is a chick-flick, or a kid's movie. The theatre was packed with viewers of both genders, and from age 12 to 82. All can laugh and appreciate the same jokes and feel the same emotion, and with an unforgettable dance performance by Robert DeNiro as Captain Shakespeare, can all leave overjoyed to have spent money and time on such a flick. DO your mind a favor and treat yourself to this film. It won't disappoint! At least, you'll laugh and your eyes can feast upon it's magic. Let yourself loose from the world as you know it, and travel beyond the wall into a fantastic realm of witches, lightening pirates, stars and more.

The Double Life of Veronique

ALMOST (Krsysztof Kieslowski): I don't have a lot to say about this film. I was terribly intrigued by its recommendation, and equally excited to test out a new director (writer/director of The Three Colors: Bleu, Blanc, Rouge). Unfortunately, what I found was a terribly boring film. What is supposed to be the story of a girl whose spirit lives in two people, becomes one mushy blend of the same girl, a flat and solemn musician. The film is overall dark (visually UN-stimulating) and slow. Hardly any pivotal characters leave the entire plot drive on this poor female star, who does a fabulous job of taking on two girls, but actually delivers one synonymous role as a girl who sings with her mouth incredibly wide open. The music is droning, the mood is low-key and to be honest, it took two tries to get through the whole thing. Now for those of you that enjoy this director, be my guest to watch it, and I wish you better experiences. I hope to never deter anyone from any film, but simply offer what the film lacked in its jaunt towards success. I'm a lover of French films, and as a whole, foreign films, but this one let me down tremendously. The drama wasn't convincing, and the plot dragged. Maybe a little diversity in character development could have sent it on its way. Better luck to other viewers!